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All posts tagged ‘iPod’

Thursday, August 14, 2008

When Apple’s Reach Exceeds Its Grasp

Jason Snell

The huge success of the iPod and the incredible media hoopla surrounding the iPhone have transformed the way the world looks at Apple. … The public perception of Apple is that it’s a technology juggernaut with immense power at its disposal as it steamrolls over everyone else in the technology industry while creating one industry-busting product after another. There’s just one problem with that image: It’s not true. In the past year, we’ve seen numerous examples of how Apple’s reach can dramatically exceed its grasp.

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Thursday, August 7, 2008

Why Sony Lost the Battle of the E-Book

John Gapper

Ever since Sony lost the battle between its Walkman music player and Apple’s iPod, it has been trying to strike back. This week, it paid $900 million to take full control of Sony-BMG, its music joint venture with Bertelsmann. Sir Howard Stringer, Sony’s chief executive, wants to make it as easy as possible to download or stream music and films to all of Sony’s electronics devices, from Bravia televisions to PlayStation 3 consoles.

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Wednesday, June 25, 2008

Meet the iPod Doctor: He Makes House Calls

Devin Leonard

Ramon Reyes had a problem. He could only get sound from one channel on his iPod video player. At first, he thought his ear-buds were busted. But he replaced them with a pricey new pair made by Sony, and it didn’t make any difference. So on a recent sunny afternoon, Reyes stood outside his office in lower Manhattan, chewing gum, and waiting for a visit from Demetrios Leontaris, better known as the iPod Doctor.

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Tuesday, June 17, 2008

Apple: Mac Unit Sales Grew 50% in May

Eric Savitz

Apple had a solid May for both Mac and iPod sales.

As Lehman analyst Tim Luke points out in a note today, new data from market research firm NPD shows Mac unit sales grew 50% on a year-over-year basis in May, ahead of the 37% Q2 growth Lehman had expected. Sales of iPods in the month were up 11.6% for the month in units, slower growth than the 14.6% gain in April, but well ahead of the 2% year-over-year decline Lehman has been modeling for the quarter. Average iPods pricing in the quarter was down 4%.

Lehman continues to expect the introduction of an updated line of Mac notebooks ahead of the back-to-school season, including redesigned MacBook Pros and more MacBook Airs.

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Wednesday, June 11, 2008

Apple in Parallel: Turning the PC World Upside Down?

John Markoff

At the outset of his presentation at the opening session of Apple’s Worldwide Developers Conference, Steve Jobs showed a slide of a stool with three legs to describe the company’s businesses: Macintosh, music and the iPhone. The company is making another bet on parallelism, and the implications may be more profound than anyone yet realizes.

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Monday, May 26, 2008

A Thriller in 10 Chapters

Robert McCrum

The Observer’s literary editor Robert McCrum stood down this month after more than 10 years in the job. And what a tumultuous 10 years. When he started it was a world of “cigarettes, coffee and strong drink.” But that has all changed–new writers, big money, the Internet, lucrative prizes and literary festivals have all helped revolutionize the books world. Here he charts the changes in 10 short chapters, and wonders if an “iPod moment” is imminent.

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Wednesday, April 23, 2008

Apple’s Secret Life

Brian Caulfield

Forget Steve Jobs. The time to get the scoop on Apple’s next move is not when its charismatic founder is pitching the faithful on the computer and gadget-maker’s next product. It’s when his minions–Chief Operating Officer Tim Cook and Chief Financial Officer Peter Oppenheimer–meet with Wall Street analysts every quarter to talk over the Cupertino, Calif., company’s financial results. Will Apple introduce a next-generation iPhone in June? Is the company about to overhaul its lineup of hot-selling laptops? Is something even more exotic on the way? Pay attention, because Cook and Oppenheimer will almost surely drop some hints today.

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Wednesday, April 16, 2008

Does Microsoft Exec Move Signal Zune Change?

Todd Bishop

A vice president from Microsoft’s eHome Division, who oversaw initiatives including Windows Media Center, has shifted to the Zune team, according to the latest Microsoft organizational chart from the independent Directions on Microsoft research firm. The question: Does the change indicate a new direction for the company’s iPod competitor?

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Thursday, April 3, 2008

Front Porch Forum Makes Friends & Neighbors, But Can It Make Money?

Mark Glaser

We are a society that lives more and more in our technology-induced bubbles. When we go outside, we wear an iPod; we talk on cell phones while driving. In urban areas, we might never meet our neighbors unless there’s a fire or earthquake. But can technology also help bring us together in our physical communities, and help us get to know our neighbors? Front Porch Forum (FPF) is making a valiant effort to do just that, offering up closed email forums that are strictly limited to people living within each physical neighborhood in Chittenden County, Vermont.

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Friday, February 22, 2008

What Consumer Technology Companies Can Learn From Apple Product Launches

Joshua Weinberg

Apple is widely regarded as one of the most effective companies at launching products today, but some people chalk this up solely to Steve Jobs’s star power.

As a launch consultant, I’ve spent a lot of time analyzing Apple’s product introductions and I have seen that while there is no denying that Jobs is a very powerful element in Apple’s launches, there are plenty of things that Apple does that can be learned and emulated by other companies, small or large.

It all starts with the product

Product launches are not just PR events; they are the last step of a long product-development effort. Start with the product itself. No amount of launch pageantry and flashy presentation can guarantee the success of a seriously flawed product. At the same time, a brilliant product can disappear into obscurity without a carefully conceived launch strategy and a clear marketing message.

Apple is able to generate interest and excitement over even minor product launches because of its reputation for creating innovative, elegant and functional hardware and software. Every facet of the device or code, right down to the industrial design, packaging, accessories and even the product’s Web site, is scrupulously polished to enhance usability, esthetic appeal, and Apple’s overall image as a maker of “insanely great” consumer products. “We make products that we want to use ourselves,” Steve Jobs said at D5.

The obsession with form, fit and finish extends even to the most minor or hidden parts. One of the most time-consuming design tasks of a recent laptop introduction, an Apple hardware manager said, was to make sure that screws on the bottom of the machine did not disrupt the smooth flow of the computer’s aluminum skin–even though most users will never even look at the underside. Compare that to, say, the hulking, mismatched power supply of Microsoft’s Xbox 360 video game console, which looks as if it were originally designed for a Soviet-era tractor.

Even the font choices in Apple’s user documentation and manuals are carefully selected. By crafting a uniform design identity not just for the core product, but also for all ancillary materials, Apple builds a tangible expectation of superior performance and value.

Don’t launch the product until it is ready

Apple rarely launches a product until every aspect is ready for the public; indeed, Jobs has been known to kill a product launch at the last minute because something is not exactly perfect.

A journalist related that he wrote a scathing review of a new non-Apple product and later ran into the product manager at a restaurant. “I’m sorry I had to be so hard on the [product],” he said. “That’s OK,” the product manager said, much to the journalist’s surprise. “We knew we were going to get some knocks.” Then why didn’t they fix the flaws? Too many companies today are willing to accept glitches just to get the product out the door, hoping to patch them in a future version. But will there even be a future version if customers are disappointed?

The “we’ll fix it in version 2.0” attitude at some of its competitors is anathema at Apple. Version 1.0 is as good as it can possibly be; version 2.0 will be even better.

Is your product as good as it can possibly be? If not, perhaps it’s better to delay the launch.

Some companies don’t seem to understand the difference between making technology and making a product. Technology doesn’t become a successful consumer product until a complete, user-friendly experience is built around it. Launch products, not technologies.

Everything is coordinated

When you walk into the Moscone Center for an Apple product launch, the posters outside tout current Apple products. The advertising on passing taxis and buses are familiar Apple themes. The nearby Apple store still promotes the current bestsellers. The Apple Web site is still business as usual.

But as soon as the keynote presentation ends and people file out of the building, everything is new: The advertising on the buses and cabs has miraculously changed to trumpet the new product. The Apple Stores are stocked and ready to sell the New Thing. Apple employees are wearing T-shirts emblazoned with the new message. The Apple Web site is ready with new information and images. New TV ads showing the just-introduced product are already spreading the news.

Everything is coordinated across multiple departments of the company, from factory to marketing to retail to customer support, all for the precise moment of the launch. The achievement is all the more impressive given the simultaneous launches in multiple countries around the globe, and, increasingly, the involvement of partner companies (like AT&T for the iPhone launch).

Such precision and coordination requires a comprehensive launch agenda and clear cross-boundary communications (along with flawless execution) among all key players in the company.

This is the way consumer products should be launched in today’s world of instant communication and nearly instant gratification. As soon as a consumer hears or reads of a cool new product–especially a message reinforced through multiple channels–he wants to be able to buy it and use it. With a few notable exceptions (the iPhone, the Mac OS X Leopard operating system), Apple has products in its stores and well stocked on the day of the announcement. After going to so much trouble to build excitement over a new product, the company rarely wastes the opportunity by telling consumers they have to wait days, weeks or months to buy it. The strategy of announcing a product and shipping it months later is best left to business-to-business products, where long-term budget planning and lengthy evaluation periods are more common.

Rehearse, rehearse and rehearse, because launches are theater

With Apple, preparation for a keynote begins months in advance, and Steve Jobs rehearses relentlessly, right up to show time. Insiders know that if a product does not demo well, even at the last moment, Jobs will pull it from the presentation rather than risk a public flop.

In one keynote in which Apple unveiled a new notebook computer with a built-in accelerometer, to protect the hard drive in the event of a fall off a table, Apple’s head of global marketing, Phil Schiller, had to jump off a 15-foot platform on stage with the computer cradled in his arms. Afterward a reporter noticed a nasty scrape on his arm. Did it happen in the keynote plunge? “No, it was in one of the rehearsals,” Schiller told him. “I can’t remember which one, there were so many.”

Jobs’s predecessor, Gil Amelio, once gave a three-hour Macworld keynote for which he obviously hadn’t prepared sufficiently. His extemporaneous speechifying befuddled, bored and frustrated the audience. The lesson is not about length but about preparation: there’s no substitute for preparation and practice.

The big announcements are important. The little ones aren’t

Apple releases dozens of new products each year, but only a handful of major ones get the full Steve Jobs treatment. Partly this is due to the time constraints on a very busy CEO, but Apple also recognizes that overexposure lessens the impact of even a Steve Jobs presentation.

Everyone remembers the keynotes where Jobs has a blow-out announcement–the “There’s just one more thing” finale has become a signature in his delivery–but there are many other B-level and C-level announcements that are handled with less fanfare by other executives or, in some cases, such as recent updates to the Mac mini, by no formal announcement at all.

Apple saves its biggest announcements for its biggest products. Even when the identity of the new product is top secret, Apple has been known to call major tech journalists to quietly let them know “this is a big one, you should be here.”

In contrast, IBM once flew a reporter to North Carolina for a “major announcement,” accompanied by nearly a dozen PR and executive team members. The announcement? IBM had decided to streamline its PC operations and cut bureaucracy and cost, the better to compete with leaner rivals. The message and the messenger should be congruent. A phone call or press release is appropriate for many announcements. For a new bet-the-company product, however, it’s a safe bet that only the CEO will do. Make the big ones count.

Of course, sometimes there’s pressure to give big treatment to a little announcement because of internal company politics. This may keep a handful of people happy, but in the end it won’t get consumers excited, and could make journalists and the public less receptive to news about a company’s truly important products.

Products have names

There’s a great new restaurant that serves chunks of cold, dead fish mixed with seaweed and artificially green-colored horseradish, on a glop of sticky rice. Sound appealing?
If you’re looking for a lightweight laptop, do you choose the Fujitsu P1610 or the Aspire 9810-6829? (Can you tell by the names that one weighs 2.2 pounds, the other 17.3 pounds?)
Do you already own one of the most popular consumer electronics devices of the 21st century, the M8513LL/A? Perhaps you know it by its name and not its part number: the iPod.

Too many companies find that the product naming processes is not fast or easy so they resort to using model numbers in place of real names.

Apple knows the importance of names that’s why we have iPods, MacBooks and Cinema Displays.

A product isn’t ready for launch until it has a name that customers can understand. DF-20HT is not a name; it’s a part number. The name of a product influences the customer’s response to it. Calling your new device DF-20HT identifies it as a technology, not a product.
This isn’t to say that giving a product a snazzy name like “Vista” or “ROKR” or “Microsoft BOB” will insure its success. But if all the other aspects of a successful product are met, why saddle it with a nerdy moniker that consumers can’t remember or even understand? Shakespeare wrote, “What’s in a name? That which we call a rose 
by any other name would smell as sweet.” But for a new consumer product, DF-20HT stinks.

Use secrecy as a marketing weapon

Influential consumer tech journalists, some who typically write fewer than 50 columns a year, often receive that many new product announcements in their email in-boxes every week. Each email gets at most about five to fifteen seconds of attention. If the first paragraph of the email does not say what it is, what it does, why it’s significant and what it costs, the email goes straight to the trash.

Why is it, then, that these same reporters are willing to drop everything and fly cross-country to Cupertino, Calif., based on nothing more than a cryptic note that Apple will be unveiling a secret new product?

The answer: Apple has learned to use secrecy effectively as a marketing tactic.

At one time, when it was struggling, Apple realized that it could use the element of surprise as a competitive advantage against larger rivals. It caught the computing world off-guard by introducing such innovations as the mouse, the graphical user interface, the 3.5-inch diskette, wireless networking, colors, flat-panel LCD screens, Bluetooth, online music sales, touch-controlled iPods and iPhones, and so on.

Today, despite the fact that Apple’s market capitalization is now bigger than Dell’s, secrecy is even more important. Asian competitors knock off Apple designs and even rumored Apple designs.

But secrecy also generates intense interest in Apple’s announcements, as everyone wonders what new marvels Apple has in its plans. The company very rarely pre-briefs reporters and analysts, but when it does, it’s for a big payoff–like promising a major national magazine an exclusive sneak peek in return for a promise of being the cover story.

Even so, very few of its announcements are pure surprises, in part because bloggers, journalists, analysts and investors scrutinize the company so relentlessly, but also in part because Apple is an expert flirt, and a peerless influencer of the media.

Many companies feel that secrecy is not practical because they need to inform the channel, brief partners and create marketing campaigns. These needs do not make secrecy impossible they just make it harder to pull off. Apple weighed the problems associated with secrecy against the benefits it would deliver and decided on the secrecy route–and it’s been paying off. Any company launching a new product needs to go through the same exercise.

Learn from Apple’s imperfections

Nothing’s perfect, not even Apple’s vaunted marketing machine. Even when Apple makes mistakes with a product launch, however, it provides valuable lessons for any company.

Think about Apple products that failed, like the Macintosh Cube. Although it was a triumph of design at the time, at least compared to the boring beige boxes made by other PC makers, the Cube sacrificed usability and performance in order to achieve its form factor, a textbook case of form over function. Customers stayed away in droves.

Even the Apple iPhone product launch was flawed, despite the sale of more than a million units in the first three months. By waiting just 10 weeks to cut the high-end iPhone’s price by one-third, to $399 from the initial $599, Apple angered its loyal consumer base. Customers angry at a price cut? In this case, yes, because early adopters felt they were snookered into paying a $200 penalty for being Apple’s best customers. Everyone knows that technology prices fall over time, but the timing suggests that Apple knew from the beginning that the iPhone was overpriced. Lesson: Don’t alienate your most loyal customers. To mollify them, Apple issued a $100 credit. Another lesson: It’s expensive to attract new customers, but potentially far more expensive to lose the ones you already have.

Watch and compare

Steve Jobs has promised a year of exciting product announcements, so whenever he takes the stage for a keynote or special event, I’ll be watching, taking notes and comparing how other technology companies launch products. If you’re watching and comparing, I’d love to hear your thoughts.

Joshua Weinberg is the president of the Digital Life Consulting Group, which advises consumer electronics and consumer technology companies on how to make their product launches strong, effective and successful. He has been helping launch products for 18 years. He has never worked for Apple, but observes the company closely.

Tuesday, February 12, 2008

Apple Applies for Trademark Extension Relating to Gaming

Ken Fisher

Might Apple have interest in gaming beyond its poky iPod gaming offerings? Maybe, when you consider that the company has recently applied to expand its trademark into the realm of gaming. The new filing was made Feb. 5 and has not yet been assigned to an examining attorney.

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Monday, January 21, 2008

The Album Is Dead…

Mark Cuban

There once was a time when the release date of an album was exciting. For our favorite artists, we knew when the last album came out and when the next album was due. If you loved the artist, you bought it. If you didn’t, you either bought the single or you listened to the album with your friends and then decided.

As the price of records and then CDs increased year by year, spending 20 bucks for a CD became a purchase you needed to be sure of rather than a no-brainer or impulse buy.

Then free became an option.

Then aggregating almost unlimited free music on a PC and then an iPod became easy.

So here we are in 2008 and the only given in the music industry is that CD sales have and will fall. And fall. And fall.

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Wednesday, January 16, 2008

Jobs’s Macworld Keynote: More on Apple and Fox: iTunes Digital Copy, Movie Rentals

Staci D. Kramer

Twentieth Century Fox actually has two deals with Apple that Steve Jobs announced today with Fox Filmed Entertainment CEO Jim Gianopulos. A lot is being made of the video rentals, more on that in a bit. But we’ll start with a look at the DVD-download combo; the Apple version is only available for now with Fox. Fox first tried it with Windows on “Live Free or Die Hard.” Buyers get a digital version on the second disk of special editions; it can be uploaded to a computer and moved to portable devices. In iTunes’ case, the digital copy file goes straight to iTunes and can be used with only one iTunes library; it can be used on a PC or Mac, video iPods, iPhone or Apple TV.

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Monday, May 7, 2007

TV’s Gravitational Pull in the Digital Universe

Susan Whiting

Has television “jumped the shark”? Has the medium, as the industry metaphor implies, run its course in a rapidly expanding digital universe? The short answer is no. Despite scores of advanced technologies and new digital media sources, television remains the most popular form of consumer entertainment.

According to a Nielsen report released earlier this spring, the average American household receives a record 104.2 channels–eight more than the year before, and more than double that of a decade ago. Though TV viewing is down slightly this year compared to last, Americans continue to watch at some of the highest levels ever recorded by Nielsen Media Research. Indeed, television consumption eclipses any other medium by a wide margin, and 90% of viewing is still done at home.

Nonetheless, television is changing, and all signs point to even more dramatic alterations ahead, as a confluence of technology, economic forces and social dynamics create what can aptly be described as the medium’s version of a perfect storm. Programmers are investing billions to develop or acquire digital media content. Advertisers are leveraging new technologies to mount ever more sophisticated campaigns. And consumers are becoming adept at moving, manipulating and using content on their own terms.

The ability to convert all forms of information into myriad streams of ones and zeros is dissolving the barriers that have traditionally isolated television from other media. Consequently, companies that never had to compete before are going toe-to-toe to capture audience attention and advertiser dollars.

Today, broadcasters are not only doing battle with conventional rivals like cable operators and satellite TV, but also with Internet sites, telecommunication companies, computer software- and hardware-makers, and consumer-electronic and video-game manufacturers–all providing new means to engage viewers.

Even relatively low-tech print media are entering the fray. Last year, local newspaper sites captured about half of total online video advertising revenue, as publications of all stripes have begun requiring reporters to provide video feeds to their Web sites along with stories written for print editions.

Improvements in digital technology have markedly enhanced the capabilities of video cameras, making them smaller, easier and far less expensive to use. At the same time, the increasing ubiquity of broadband has engendered widespread downloading and uploading of video clips across an array of devices. The upshot is that just about anyone can become a video producer with the potential to reach, literally, millions of viewers around the world. A generation of technology-savvy consumers is taking full advantage of the opportunity in ways that were unimaginable just a short time ago.

This course of change, however, is not unique to television. Nor to the 21st century. The history of media is a chronicle of innovation, during which each new system has built on the technology platforms and business models of its predecessors. In fact, television is part of a long lineage of communication systems that dates back to the telegraph, and includes the telephone and radio.

These developments basically occurred one medium at a time and were the results of decades of interactive, interwoven processes. But the global digital network has made such collaboration immediate and ongoing, and, for the first time, it is having a direct effect on multiple media.

Yet the current pace of change is uneven. For every “early adopter” who has embraced DVRs, iPods and YouTube, there are scores of “couch potatoes” who still prefer to plant themselves in front of the TV the old-fashion way. Other variables such as age, gender, ethnicity and geography require the industry to find new ways to deliver content to, and measure its impact upon, viewers who will increasingly decide for themselves when, where and how to watch television.

No doubt new digital technologies are altering the television environment. Time-shifting systems like digital video recorders and video on demand are amplifying TV viewing in the home, while place-shifting devices such as Slingbox and video iPods expand the medium’s reach by essentially transforming any digital platform with a broadband connection into a television set.

For their part, smarter, more-discriminating and more-demanding viewers are challenging the television industry to reinvent itself continually. In response, companies will continue to collide and converge to effectively meet the wants and needs of anywhere/anytime/any-way consumers.

Ultimately, television will become different things to different people. But it will remain a vital part of their communication experience.

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