Newsweek’s recent decision to get out of the news-digesting business and reposition itself as a high-end magazine selling in-depth commentary and reportage follows Time magazine’s emergency retrenchment along similar lines. It accelerates a process by which the 76-year-old weekly will purposely reduce its circulation from 2.7 million to a bit more than half of that. (Its circulation was nearly 3.5 million in 1988.) Likewise, Time’s circulation, which 20 years ago was close to 5 million, is now at 3.4 million.

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Mock not. As the regime shut down other forms of communication, Twitter survived.

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Virtually all the predictions about the death of old media have assumed a comfortingly long time frame for the end of print–the moment when, amid a panoply of flashing lights, press conferences, and elegiac reminiscences, the newspaper presses stop rolling and news goes entirely digital. Most of these scenarios assume a gradual crossing-over, almost like the migration of dunes, as behaviors change, paradigms shift, and the digital future heaves fully into view. The thinking goes that the existing brands–The New York Times, The Washington Post, The Wall Street Journal–will be the ones making that transition, challenged but still dominant as sources of original reporting.

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More than half a century ago, Disneyland opened its House of the Future attraction. I was 10, and I was attracted. In fact, I was in love. The Tomorrowland dwelling had a cruciform floor plan, a more elegant solution to bringing light and air into a “machine for living” than Le Corbusier had been able to devise. Each side of each arm of the cross was glazed, sill to ceiling. The mullions and rails between the panes were as pleasingly orchestrated as Mondrian’s black stripes.

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For centuries, writers have experimented with forms that evoke the imperfection of thought, the inconstancy of human affairs, and the chastening passage of time. But as blogging evolves as a literary form, it is generating a new and quintessentially postmodern idiom that’s enabling writers to express themselves in ways that have never been seen or understood before. Its truths are provisional, and its ethos collective and messy. Yet the interaction it enables between writer and reader is unprecedented, visceral, and sometimes brutal. And make no mistake: it heralds a golden era for journalism.

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These are boom times for wind power. T. Boone Pickens, the wildcatter turned oil baron, is building the world’s biggest wind farm, in the dry scrub of the Texas Panhandle–a $10 billion bet on wind’s future. Twenty-eight states have set ambitious mandates for renewable energy, with wind power shouldering most of the load; many compel electric utilities to get at least 20 percent of their supply from wind and other renewable sources between 2015 and 2025.

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“Is Google Making Us Stupid?” was the provocative title of a recent article in the U.S. journal The Atlantic. Its author was Nicholas Carr, a prominent blogger and one of the Internet’s more distinguished contrarians. “Over the past few years,” he writes, “I’ve had an uncomfortable sense that someone, or something, has been tinkering with my brain, remapping the neural circuitry, reprogramming the memory. My mind isn’t going–so far as I can tell–but it’s changing. I’m not thinking the way I used to think.” He feels this most strongly, he says, when he’s reading.

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Here’s something I didn’t know: Friedrich Nietzsche used a typewriter. Many of those terse aphorisms and impenetrable reveries were banged out on an 1882 Malling-Hansen Writing Ball. And a friend of his at the time noticed a change in the German philosopher’s style as soon as he moved from longhand to type.

“Perhaps you will through this instrument even take to a new idiom,” the friend wrote. Nietzsche replied: “You are right. Our writing equipment takes part in the forming of our thoughts.”

Gulp. The technology writer Nicholas Carr, who pointed out this item of Nietzsche trivia in the new issue of The Atlantic, proceeded to make a more disturbing point. If a typewriter could do this to a mind as profound and powerful as Nietzsche’s, what on earth is Google now doing to us?

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Over the past few years I’ve had an uncomfortable sense that someone, or something, has been tinkering with my brain, remapping the neural circuitry, reprogramming the memory. My mind isn’t going–so far as I can tell–but it’s changing. I can feel it most strongly when I’m reading. Immersing myself in a book or a lengthy article used to be easy. My mind would get caught up in the narrative or the turns of the argument, and I’d spend hours strolling through long stretches of prose. That’s rarely the case anymore. Now my concentration often starts to drift after two or three pages. I get fidgety, lose the thread, begin looking for something else to do. I feel as if I’m always dragging my wayward brain back to the text. The deep reading that used to come naturally has become a struggle.

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Many foreigners who come to China for the Olympics will use the Internet to tell people back home what they have seen and to check what else has happened in the world. The first thing they’ll probably notice is that China’s Internet seems slow. Partly this is because of congestion in China’s internal networks, which affects domestic and international transmissions alike. Partly it is because even electrons take a detectable period of time to travel beneath the Pacific Ocean to servers in America and back again; the trip to and from Europe is even longer, because that goes through America, too. And partly it is because of the delaying cycles imposed by China’s system that monitors what people are looking for on the Internet, especially when they’re looking overseas. That’s what foreigners have heard about.

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